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HISTORY
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THE EARLY 1900'S
1900-1920
- The original version of the knitting abbreviations
that we are familiar with, first appeared in 1906
- Raglan sleeves first appeared in knitted garments somewhere between 1912 and 1913,
just prior to the first World war
- This style of sleeve was named after Lord Raglan, about 57 years after his death in 1855.
- During the first world war,
knitting became almost a full time occupation for many English women,
- In December 1916, 'The Family Journal' published an appeal by
Her Majesty Qween Mary,
she appealed for woollies
to be knitted for the soldiers fighting for their country
- All and sundry knitted with great passion and almost obsessive zeal
in order to send 'comforts' to the 'lads at the front'
- They knitted on trains, trams, in theatres and resturants
as well as by their own firesides
- These busy hands knitted, socks, mitts, body belts, helmets
and anything else they could think of, that would bring
warmth and comfort to our soldiers
1920'S
- The 1920's may well be remembered as the Jazz age, or the age of short skirts,
cropped hair, and a flattened torso,
but the 1920's was also the age of
the jersey craze.
- During Victoria's reign knitting was thought of as a hobby or craft,
and many usefull items such as doylies,
table runners, cushion covers,
or clothing accessories,
like gloves, hats, scarfs,
stockings,were made
- Knitted items were iether decorative or utilitarian,
- The act of knitting may have been fashionable, but the results
had very little to to do with fashion,
- In the 1920's that was to change, not just sweaters,
but whole outfits
were now being produced
from either hand or machine made knitted fabric,
- knitted garments, jumpers, jumper suits, dresses,
bathing costumes,
were now
the very height of fashion
- Three female designers
dominated the 1920's fashion scene,
each in their own way played their part in the 'jersey craze',
- They were:
Gabrielle Chanel, Elsa Schiaparelli
and Madeleine Vionnet
- Chanel had a particularly significant influence on knitwear, and knitwear design,
- After the war, because many raw materials were in short supply
Chanel pioneered the use of knitted jersey fabric,
a fabric which previously had only been used for men's underwear
- Her easy to wear, uncomplicated jersey jumper-suits took the world by storm.
- They suited all age groups, all fiqure types and all purse sizes
- knitwear
was suddenly very, very fashionable
- In 1924 Chanel designed the costumes for Diaghilev's
very popular ballet 'Le Train Bleu', these designs were revolutionary
- The dancers wore hand-knitted,
very daring, unisex bathing costumes,
- Costumes which scandalised the critics,
but instantly made handknitted
unisex-styled bathing suits the number one
'must-have'
- Swimming and bathing costumes continued to be hand-knitted
throughout the 30's and 40's and well into the 1950's
- Madeleine Vionnet was the Queen of bias cutting,
- Her contribution to the knitting revolution was more to do with
introducing women to stylish clothes that suited the new,
less restricted lifestyle they were now becoming used to
- Her clever cutting of softly draped fabric, produced clothes that were fitted but unstructured.
- clothes that allowed complete freedom of movement,
- clothes that were elegant, feminine and very fashionable.
- Not everyone could afford the silks and silk chiffons of courture fashion,
but many could afford clothes made from inexpensive jersey-knit
fabric,
a fabric which has just the same qualities of softness and drape as bias cut chiffon,
- Clothing made from jersey-knit fabric,
answered the every-day need
for the now fashionable
requirement of elegance, freedom and
informality
- ELsa Schaparelli
was a very innovative, creative and influencial designer,
- She almost always included unusual hand knits
in her collections
- In 1927 Schaparelli designed her most famous
trompe-l'oeil jumper
- The black sweater had a rather large
knitted-in bow on the front.
- In 1928 the sweater of the year, was another of Schiaparelli's trompe l'oeil designs,
- This one had a knitted-in scarf which draped round one hip, with a real tie on the other
- These sweaters were sensational, nothing like this had ever been seen before
- They were witty, clever and fun,
and best of all, they were knitted using two pins
- Those who couldn't knit, very quickly learnt how to.
- Hand knitting became very popular
- lots of knitting patterns
were available for the the new long straight jumpers
- Horizontal colour stripes, and bands or borders of flower designs were very popular
- As was traditional geometric Fair Isle
- The Prince of Wales is said to have started this particular
fashion explosion
- in 1922, On september 27th, he appeared on the golf course wearing the now famous Fair-Isle sweater
- Patterns for Fair Isle, giving instructions for
weaving-in,
soon appeared in magazines and fashion journals,
- Stranding yarn across the back of the knitting did not become
popular until until a couple of years later
- Fair Isle knitting has never gone out of fashion, but it reached a real peak in the mid 1920's
- There was also a new interest in Lace knitting during the 1920's,
- Herbert Niebling worked on reviving and developing the intricate designs
of the Biedermeier period, (1820-48),
- His designs appeared in magazines published by Burda.
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